Sandler discovered a recipe for how to write a successful movie

Don't mess with the hairdresser (2008) "Don't mess with the hairdresser" is a good comedy in which Adam Sandler not only created a great actor's creation, but also was a co-writer and producer. The film tells the story of an Israeli anti-terrorist, Zohan (Adam Sandler), who has had enough of war and Israeli-Palestinian hatred, but his family tradition is fight, even if it is a fruitless fight. In the next attempt to capture Fantom (John Turturro), Zohan mocks his death and goes to the USA to become a hairdresser.
In New York, however, nobody wants to employ a man of suspicious origin, in addition without experience.
Only Palestinian Dalia (Emmanuelle Chriqui) gives him a chance and in her salon Zohan begins her adventure with hairdressing.


Certainly noteworthy is the role of Adam Sandler, who practiced the Middle Eastern accent to perfection and his English made an impression during watching. In addition, he played with such ease and fluency as if he was born for this role.
The whole action focused on his character and he perfectly lifted the almost two-hour movie on his shoulders. It should be added that it was a role much better than even those in "50 first dates" or "Click: and you do what you want". Supporting actors have also created very good creations: Alec Map as Claude and Emmanuelle Chriqui. The screenplay of the film was nothing phenomenal and it was Sandler's role that made him worthy of attention. However, it cannot be ignored that Israeli-Palestinian relations were presented from an American point of view, and in a distorting mirror.
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Two hostile nations are fighting each other because it is a tradition even though they do not want to and they realize that it makes no sense. It is a war just for the sake of waging war. America was portrayed as a mainstay of freedom, where everyone lives side by side in peace, and every traditional Israeli is seen as a terrorist, even though he doesn't even feel belonging to warriors from overseas.
One drawback of the script is the topic of Zohan's sexual exploits, which is too extensive, at first they laugh, but then the viewer feels a certain glut, especially since the subsequent sequences of the scenes are devoted only to this. If the film was a bit shorter, it would not lose anything of its strength and would not cause boredom for a moment. Once again, great applause for Sandler for the great creation and sensational comedy, because lately it's been really hard for a really funny movie, and for creating a production for himself, but unlike, for example, Georg Clooney, he created something extremely successful. I would recommend. .