Brief Descriptions And Expanded Essays Of National Film Registry Titles
Five items for Computer Controlled Modular Synthesizer and Digital Signal Processing. Composed and recorded from February 2010 – April 2011 in Brooklyn, New York.
NHK shaped in 2006 in Osaka, Japan by Kouhei Matsunaga and Toshio Munehiro. Mainly as a facet project of prolific producer Kouhei Matsunaga (who's working under many different aliases corresponding to NHK’Koyxen, NHKyx, Internet Magic, Koyxen), they began making experimental dub techno with a extra uncooked and harsh edge to it. read the full info here Kouhei has released quite a few albums on labels such as Skam Records, Wordsound, Raster Noton and his first ever album “Upside Down” on Mille Plateaux in 1998.
Three critically acclaimed albums for Mille Plateaux alongside the continuing series on their very own label put SND at the forefront of latest digital minimalism, pioneering a sound that at all times influenced but in addition resisted the so called ‘clicks and cuts’ movement that built up around them. During this time in addition they honed their spectacular live performance via in depth touring of Japan, America, and Europe , and one off exhibits at main festivals and venues around the world. Experiencing an SND efficiency can be alienating, participating, dynamic, and unforgiving; each event a novel exploration of the relationship between performer, viewers, software and context. Snd continued an energetic year with another European tour supporting Autechre, a reworking of Billie Jean for the ‘Recovery’ box set on Fractured Records, a serious characteristic within the Wire journal, a tour of Japan and the recording of one other album.
His own label Flying Swimming was based in 2002 with the principle purpose being to publish and curate events of experimental up to date music and art. Prolific producer Kouhei Matsunaga’s ‘Dance Classics Vol.I’ LP documents his more dance oriented materials, as seen from his units with Sensational and in addition his different minimal techno project NHK. Not feeling tied down to one style, Matsunaga nestles within the PAN roster, and nevertheless that isn’t to say that he is dance per se as witnessed from his current collaborations with Conrad Schnitzler. The album focuses more on bass/base electronics, music for the dancefloor and/or altered state reflection. Having composed pieces for WDR based on Henry Chopin, Kouhei is equally comfy jamming with Sensational, whilst concurrently executing a obsessively numerical sequence of dance items that borders on Hanne Darboven-like compulsivity.
Using simply intoned pitch combinations to provide difference tones and harmonic distortions, sound materials are created that emanate from each the playback speakers and inside ear of the listener. He started drawing throughout childhood under the affect of his grandfather. He grew up listening to hardcore-techno and hip hop, studied structure and has been primarily making music since 1992. Under many various aliases he has launched numerous albums on labels corresponding to Skam Records, Wordsound, Raster Noton and his first ever album “Upside Down” on Mille Plateaux in 1998. He has also collaborated with artists like Merzbow, Jungle Brothers’ Sensational, Autechre’s Sean Booth, Mika Vainio, Conrad Schnitzler, Anti Pop Consorium’s High Priest, Rudolf Eb.er, Puppetmastaz crew, Asmus Tietchens, Ralf ‘RLW’ Wehowsky and so on.
‘esstends-esstends-esstends’ is a set of spatial compositions by which audio focal points shift between external and inside emanation sources. The intent with this work is to flee the stereo picture and create an activated listening space of expanded spatialization.